Monday, May 7, 2007

Liz Bradshaw

painted wood 2.4m diameter
Stonehurst Cedar Creek, Wollombi 2006

Liz's practice has to date explored the use of industrial and domestic building materials and the physical impact of scale. Her interest also lies in the everyday, the found object and the art historical and epistemological archives of the 20th Century. Rebus is part of a body of work concerned with movement and repetition, order and chaos. Her next project is based on research into the ways artifacts and processes of industrialisation resurface in contemporary culture transformed by technology and globalisation.